Above is to compare the original video with my video.🔼

This is what I got after breaking down the prompts.🔼

Image Prompts

Cinematic behind-the-scenes production still from a live-action One Piece
film shoot, vertical 9:16 portrait composition, photorealistic film set
photograph with strong foreground depth.

EXTREME FOREGROUND (bottom 40% of frame, very close to camera, out of focus):
The back of a film director’s head and shoulders looming large in the bottom
of the frame, very close to camera lens — only the back of his head visible
(black short hair, wearing wireless headphones with a curly cord), broad
shoulders in a dark grey hoodie, taking up the lower left portion of the
frame. Beside him on the lower right, the back of an assistant director’s
head wearing a black baseball cap turned backward and a black surgical mask
strap visible behind the ear. Between them and slightly elevated, a large
17-inch director’s reference monitor on a Magic Arm rig, the monitor bezel
black with red REC dot and white timecode “01:23:45” overlay, the screen
itself displaying a smaller duplicate of the same scene being filmed
(picture-in-picture). Both the heads and monitor are slightly out of focus
(bokeh) creating a strong foreground frame around the scene beyond.

TOP OF FRAME (upper edge intrusion):
A fluffy grey boom microphone windscreen (“dead cat”) dangling down from
the top edge of the frame, dipping into the upper third, hanging from an
unseen boom pole. Slightly out of focus.

LEFT/RIGHT EDGES (edge intrusions hinting at studio):
On the left edge of frame, the partial silhouette of a large 4-foot HMI
light panel on a C-stand spilling soft warm light into the scene, only
the edge of the diffusion frame visible. On the right edge of frame, a
tall black light-blocking flag rises vertically out of frame.

MIDGROUND (sharp focus, hero subject, positioned roughly 4–5 meters back
from camera, smaller in frame than foreground director):
A tall imposing man standing in the center of the scene at medium distance,
full body visible from boots up but occupying only the upper-middle portion
of the frame above the foreground director’s head. Slicked-back jet black
hair, sharp angular face with a smug confident smirk, prominent stitched
scar across the bridge of his nose, light stubble. Wearing a floor-length
black overcoat with thick grey wolf-fur collar, coat open revealing a dark
olive-green waistcoat over a black high-collar shirt. His left hand is a
polished golden curved hook catching the light. Standing relaxed, weight
on right leg, calm villainous authority.

Flanking him at the same depth, left and right, seen from behind in 3/4
back-view: three Marine soldiers in ankle-length white military overcoats
with the iconic Marine seagull insignia and “MARINE” in bold dark blue
capital letters across the upper back. White peaked caps with a single
dark navy stripe. Both holding antique flintlock-style rifles raised to
shoulder, barrels pointed at the central man’s chest. The Marines are
positioned slightly closer to camera than the central man, creating a
layered depth.

BACKGROUND (deep haze, very soft focus):
A vast ruined ancient battlefield extending into the distance behind the
characters — splintered wooden platforms, collapsed scaffolding, stone
debris. Hundreds of tiny figures engaged in chaotic combat scattered
through the depth. Columns of black smoke rising, distant orange fires
flickering through atmospheric haze. A massive ruined sandstone colosseum-
like structure on the far horizon. Heavy overcast grey-brown sky thick
with dust and ash.

STYLE:
Shot on ARRI Alexa 65 with 50mm prime lens, f/2.0 aperture for strong
foreground-to-midground separation, ISO 800. Camera positioned just behind
and slightly above the director’s shoulder, looking past him at the scene.
Low-to-mid angle, the viewer feels like they are peeking over the crew’s
shoulders onto the set. Three distinct focus planes: blurred foreground
(director, monitor, boom), sharp midground (characters), soft background
(battlefield). Desaturated cinematic color grade, muted earth tones, slight
green-teal shadow lift, warm spill from the off-screen HMI light catching
the central character’s face. Volumetric dust particles drifting through
diffused sunlight beams. Photorealistic, hyperdetailed, 8K production still,
moody ominous atmosphere, subtle film grain.

–ar 9:16 –style raw

Video Prompts

Handheld candid style camera with subtle natural shake. Mostly holding position,.

At 0–1.8s: the central man in the fur-collared black coat stands

confidently, laughing and smiling with a smug amused expression, shoulders relaxed. three Marines flank him with flintlock rifles raised and aimed steadily at his chest.

At 2.0–2.3s: the three Marines fire simultaneously — bright orange muzzle flashes burst with white gunsmoke. The bullets strike his chest and his body jolts slightly backward from the impact, his upper body recoiling. A fist-sized circular hole punches clean through his chest, dark and hollow, and golden sand immediately starts pouring out of the wound like an hourglass emptying, cascading steadily downward to the ground. His laughter abruptly stops mid-breath, the smile dropping off his face into a cold blank expression.

At 2.3–3.5s: the three Marines stare in shock and disbelief at the hole in his chest and the sand pouring from it — their eyes widen, mouths fall open. One lowers his rifle slightly with trembling hands, another takes a half-step back unsteadily, the third freezes with his mouth agape and rifle wavering. The sand keeps pouring from the chest wound throughout. Their faces show clear panic and confusion.

At 3.5–4.3s: the central man — sand still steadily pouring from the visible hole in his chest — slowly tilts his head sideways with curiosity, almost amused, looking at the Marines like an insect. Then his expression sharpens into a menacing glare locked on them — eyes narrowing, jaw tightening.

At 4.5–5.2s: with the chest hole still gushing sand, he raises his golden hook arm high overhead and violently slams it down into the ground at his feet, simultaneously roaring loudly: “Sables Pesado!” — his voice deep, commanding, and reverberating. The hook strikes the earth with a heavy thud, sand exploding outward from the impact point.

At 5.2–6.5s: his entire body rapidly dissolves and reshapes into a

massive towering sand tornado vortex, a spinning column of golden sand rising from where he stood, his form completely gone, replaced by swirling sand.

At 6.5–7.8s: the sand tornado expands and surges outward laterally, the swirling vortex spreading and reaching out to engulf the three Marines, wrapping around their bodies in violent spinning columns of sand.

At 7.8–9.0s: trapped inside the swirling sand, the three Marines scream in agony — mouths wide open in screams, eyes wide with terror, arms thrashing and clawing wildly at the sand, bodies writhing and convulsing as the sand drains the life out of them. In real-time their skin rapidly grays and shrinks tight against bone, eyes sink deep into sockets, cheeks hollow out, hair falls away, uniforms tear and tatter.

At 9.0–10s: the sand vortex slows and dissipates, revealing the three Marines as shriveled skeletal husks — gray leathery skin stretched tight over skulls and ribs, hollow sunken eye sockets, sparse hair, shredded uniforms. They are caught mid-collapse — one slumping forward onto his knees, the other staggering sideways with arm raised in final futile gesture, unbalanced and falling.

The foreground crew members and director’s monitor stay mostly still throughout with subtle breathing motion. The background battlefield continues raging.

Native audio: confident laughter, two simultaneous rifle gunshots with sharp cracks, body impact thud, sudden silence as laughter cuts off, trembling shocked Marine gasps, heavy metallic hook slamming ground, deep commanding voice roaring in Japanese “Sables Pesado!”, swirling roaring sand tornado wind, two prolonged agonized screams from the Marines, dry crackling flesh-desiccation sounds, final death rattles, distant battle ambience. Cinematic 24fps, photorealistic.